Category Archives: Writing

Soap for My Mom

I’m probably 8 or 9. Traveling with dad on his annual IXRDA conference. I think Hilton Head or maybe Lake of the Ozarks, this one. One morning in our musty room with its quilted polyester bedspreads I free from its … Continue reading

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The Central Line: Giri/Haji

One of my favorite concepts we discuss in our rewrite workshops is the central line. I challenge writers to find a line of dialog in their script that reveals who the protagonist is. Sometimes they are surprised to discover these … Continue reading

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The Queen’s Gambit: The Narrative Power of a Strong Character Arc

As we sat engrossed by the last episode of the marvelous Netflix limited series, The Queen’s Gambit, it hit me that one of the (many) reasons it succeeds is the strong character arc of protagonist Beth. Sure, the solid source material, … Continue reading

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Perfume

When I first saw this film starring a breaking out Ben Wishaw, I was duly intoxicated. Perfume: The Story of A Murderer was adapted from the 1985 novel in 2006. As the years have passed, it’s remained in my memory … Continue reading

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Consistent Character

One thing I talk about with writers is the importance of doing background development work on your characters. This helps ensure they behave consistently throughout your story, run by the fears, hopes, and dreams that shaped them. As the story … Continue reading

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Ford v Ferrari and Character Desperation

I have always been a car girl. In my childhood bedroom there was nary a Barbie or baby doll in sight, but I had a killer collection of Hot Wheels. As an adult, I consider the 1965 AC Shelby Cobra … Continue reading

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Character Is Plot

I was recently sent a script by a friend. She was being offered the opportunity to direct it, but she knew something wasn’t quite working. I read it and the issue was immediately clear. The story was flat; the dialog … Continue reading

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Art Sale

When I was 6 or 7, I decided to hold an art sale. I loved coloring. I was good at it. Why not make some money at it? I sat down with crayons and paper and made a whole series … Continue reading

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Secondary Characters

I’m working on a script right now, and I have been intently focused on nailing the protagonist and antagonist arcs to perfection. They are best friends who end up as enemies when a difficult coming-of-age event sets them on different … Continue reading

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Wrong Reasons

I was chatting with a fellow script coach about her new client. She was excited about his project; it was a really cool premise; and he seemed open to feedback—always important to ask even though it seems obvious. She was, … Continue reading

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