Tag Archives: Notes

Secondary Characters

Posted on April 8, 2019 by

I’m working on a script right now, and I have been intently focused on nailing the protagonist and antagonist arcs to perfection. They are best friends who end up as enemies when a difficult coming-of-age event sets them on different … Continue reading →

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Wrong Reasons

Posted on March 25, 2019 by

I was chatting with a fellow script coach about her new client. She was excited about his project; it was a really cool premise; and he seemed open to feedback—always important to ask even though it seems obvious. She was, … Continue reading →

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Roma and the Passive Protagonist

Posted on March 16, 2019 by

I’m pleased to turn this space over to my partner in PageCraft (and life), Carlo Cavagna:  We just saw Alfonso Cuarón’s brilliant ROMA, which has us thinking about passive protagonists. Every screenwriting resource (including us, we admit) will teach that … Continue reading →

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Coach Notes – The Book Of Henry

Posted on June 29, 2017 by

So many films would be better films had they gotten coaching and feedback at the script stage. By helping you avoid pitfalls that trip up even the pros, our goal at PageCraft is to help writers craft watertight scripts that … Continue reading →

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Reading Is Sexy

Posted on October 13, 2016 by

I was very proud to be a returning judge for this year’s Slamdance Screenplay Competition, one of several prestigious competitions I judge for. If you don’t know, Slamdance was set up in response to what filmmakers saw as the over-commercialization … Continue reading →

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Script Notes

Posted on May 30, 2015 by

As a script contest reader, I see the whole gamut from utter crap to sparks of brilliance. There are some writers I want to grab by the collar and say “please, delete your copy of Final Draft and do the … Continue reading →

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Taking Notes

Posted on November 22, 2014 by

One of the trickiest parts of being a writer is taking notes–not as in writing down a speaker’s words, as in absorbing and processing critiques. Notes are often not what we want to hear, and, depending on the source, can … Continue reading →

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