Category Archives: Coach Notes

Character Is Plot

I was recently sent a script by a friend. She was being offered the opportunity to direct it, but she knew something wasn’t quite working. I read it and the issue was immediately clear. The story was flat; the dialog … Continue reading

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Secondary Characters

I’m working on a script right now, and I have been intently focused on nailing the protagonist and antagonist arcs to perfection. They are best friends who end up as enemies when a difficult coming-of-age event sets them on different … Continue reading

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Wrong Reasons

I was chatting with a fellow script coach about her new client. She was excited about his project; it was a really cool premise; and he seemed open to feedback—always important to ask even though it seems obvious. She was, … Continue reading

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Roma and the Passive Protagonist

I’m pleased to turn this space over to my partner in PageCraft (and life), Carlo Cavagna:  We just saw Alfonso Cuarón’s brilliant ROMA, which has us thinking about passive protagonists. Every screenwriting resource (including us, we admit) will teach that … Continue reading

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Barf Drafts

“The outline’s done! Write the script and we’ll be in production!” declared a director friend I’d been working with. My heart palpitated. As one of my favorite Coen brothers character says: “would that t’were so simple.” We’d worked on the … Continue reading

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Coach Notes – The Book Of Henry

So many films would be better films had they gotten coaching and feedback at the script stage. By helping you avoid pitfalls that trip up even the pros, our goal at PageCraft is to help writers craft watertight scripts that … Continue reading

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